Ananya Jahanara Kabir Plantation, Archive, Stage: Trans(post)colonial Intimations in Katherine Dunham’s L’Ag’ya and Little Black Sambo. The Cambridge Journal of Postcolonial Literary Inquiry (2015), pp. 1-19. View PDF
Ananya Jahanara kabir, ‘The European Salsa Congress: Music and Dance in Transnational Circuits’, In Ato Quayson and Girish Daswani, ed. The Blackwell Companion to Diaspora and Transnational Studies (2013), pp. 263-75 View PDF
Ananya Jahanara Kabir, ‘The Dancing Couple in Black Atlantic Space’, Diasporic Women’s Writing of the Black Atlantic: (En)Gendering Literature and Performance: (En)Gendering Literature and Performance, ed. Emilia María Durán-Almarza, Esther Álvarez López (Routledge, 2013) View PDF
Ananya Jahanara Kabir, ‘Oceans, Cities, Islands: Sites and Routes of Afro-Diasporic Rhythm Cultures’, Atlantic Studies: Global Currents 2014 View PDF
Ananya Jahanara Kabir, ‘Brazil-Africa-Lambazouk’ Catalogue Essay for Brazouka programme notes View PDF
Madison Moore, ‘Tina Theory: Notes On Fierceness,’ Journal of Popular Music Studies, Volume 24, Number 1, March 2012, 71-86. View PDF
Madison Moore, ‘Walk for Me: Postmodern Dance at the House of Harrell,’ Theater 2014 View PDF
Madison Moore, ‘Work with an E,’ Day for Night Exhibition Catalogue Essay,’ Performance Space Sydney View PDF
Madison Moore, ‘James Blake, Digital Lion,’ Katherine Williams and Justin A. Williams, Eds., The Cambridge Companion to the Singer-Songwriter (Cambridge University Press, 2016) Purchase Book Here
Madison Moore, ‘Nightlife As Form,’ Theater, Volume 46, Number 1, 49-63 (2016) View PDF
Elina DJEBBARI, 2013, ‘La Biennale Artistique et Culturelle du Mali : la mise en scène d’une culture nationale, de l’indépendance à aujourd’hui’, in. A. Fléchet (dir.), Pour une histoire des festivals, XIXème-XXIème siècles, Publications de la Sorbonne, Paris, pp. 291-302 View PDF
Elina DJEBBARI, 2012 ‘Recomposer la tradition, investir le contemporain : la création musicale et chorégraphique des troupes de Ballet au Mali’, in E. Olivier (ed.), Musiques au monde. La tradition au prisme de la création, Éditions Delatour, Paris, pp. 201-222
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Elina DJEBBARI, 2012, ‘La création en effervescence : les scènes musicales actuelles en Afrique’, catalogue de l’exposition L’air du temps, musiques populaires dans le monde, Abbaye de Daoulas, Éditions Apogée, Daoulas, pp. 174-180
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Francesca Negro, ‘INTRODUÇÃO: NEM PÚBLICO NEM PRIVADO,’ in Público/Privado O Deslizar de uma Fronteira, June 2014 View PDF
